T · PARK是位於香港屯門稔灣的世界級污泥處理廠，由已故法國著名建築師Claude Vasconi設計。污泥廠的流線型和波浪型設計靈感來自周圍的大海和山丘。
T · PARK的概念很簡單－轉化為能。它將集先進的技術、娛樂、教育和生態於一身。它除了為香港的持續發展開拓一條新的道路外，亦為建築設計中的環保實踐定下了一個非常高的標準。
我們受香港環境保護署的委託﹐設計了擺放在T · PARK內的小冊子，其波浪的相片組合方式，靈感來自於T · PARK的標誌設計(標誌由Milkxhake設計)。不同的波浪將穿插在小冊子的每個章節，並展現出各種的可能性，就如T · PARK中的轉化為能一樣。
T · PARK is a world-class sludge treatment facility in Nim Wan of Tuen Mun, Hong Kong. Designed by renowned French architect Claude Vasconi. The streamlined and wave form design was inspired by the surrounding sea and hills.
The concept behind T · PARK is simple and clear: a facility that transforms ‘waste-to-energy’. It combines a variety of advanced technologies with recreational,educational and ecological features in a single complex. It points the way to more sustainable future in Hong Kong, and sets high standards for green practices in building design.
The booklet design is inspired by the T · PARK logo (designed by Milkxhake). We tried to apply the wave forms in different combination in each chapter. The wave form proportion and shape are based on the logo and it is the characteristic of the architecture. The different combination of wave form is representing the possibility of ‘waste-to-energy’.
香港環境保護署由1997年起展開了一連串的堆填區修復計劃，當中一共修復了十三個堆填區，而部份堆填區更被改造成其他用途，我們有幸獲邀透過攝影的方式，紀錄了十三個修復堆填區於春、夏、秋、冬不同季節的生態及環境變化，整個紀錄工作長達一年。而除了相片，相集亦收錄了環保署在管理這些堆填區時所發生的有趣和不為人知的故事，全書由紀錄、編排、設計到印刷均由我們團隊一手包辦，是一次非常難忘和珍貴的經驗。
The Hong Kong Environmental Protection Department has been restoring landfills since 1997, completing thirteen projects, some of which have been repurposed. We were invited to document these landfills' ecological and environmental changes through photography across the four seasons over a year. Besides the photos, the collection includes interesting and lesser-known stories from the management of these sites. Our team managed everything from documentation to design and printing, it was a precious and unforgettable experience for us.
我們受環保署的委託，為T · PARK進行了歷時三年的相片紀錄，記下這世界級污泥處理廠的從無到有，整個項目除了T · PARK外觀和設施的拍攝外，當中更涉及進入一些高風險的工作環境進行拍攝，過程難忘又充滿挑戰性，在此鳴謝攝影師Steven Ko於這三年間的全力協助。
We were commissioned by the Environmental Protection Department to conduct a 3 years photographic documentation of T.PARK, capturing the development of a world-class sludge treatment plant from inception to completion. This project involved not only photographing the exterior and facilities of T.PARK but also entering some high-risk work environments for shooting. The process was memorable and full of challenges. We would like to express our gratitude to photographer Steven Ko for his full support throughout these three years.
很高興再次受到香港和聲的邀請，為他們十一月舉辦的音樂會設計主視覺，這次音樂會的主題是《思別Farewell》。自古以來人類渴求連結，於後疫情時代尤甚，但連結卻必然隨無可逃避的死亡而終結。生死意義教人深思，而哲學家則以最大的勇氣，嘗試理解死亡。
這次接案的最大挑戰，是主視覺除了需要表現出人與人之間離別時所產生的愁緒，同時也希望留有希望，而非一面倒的呈現單一情感。生死離別是我們無法逃避的事，我們之所以對此會有所觸動，往往是出於人類最基本的感性，因此這次的設計方向，也是以顏色、氛圍等感覺先導的元素為先，而創意則放在資料內容的編排上。選上蒲公英作為這次的主視覺，是覺得蒲公英的週期跟人的生命很像，雖然與我們相關的記憶或許會隨著時間而消逝，但卻並非完全消失，我們的意志、信念和智慧將會被後人繼承，以另一種方式繼續存活下去，蒲公英的種子會飛得很遠，會隨著風向和各種因素飄到他們適合的位置，人的信念都一樣。
We are excited to be invited again by the Hong Kong Voices to design the main visual for their November concert, themed "Farewell." Throughout history, humanity has yearned for connection, especially in the post-pandemic era, but these connections inevitably end with death. The meaning of life and death prompts deep reflection.
The challenge for this design is to express the sorrow of separation while also conveying hope. Since death and separation are unavoidable, our emotional responses come from our basic humanity. Therefore, the design will focus on color and atmosphere, with creativity in content arrangement.
I chose the dandelion as the main visual because its life cycle resembles that of humans. While memories may fade over time, they don’t completely disappear. Our beliefs and wisdom will be inherited by future generations, much like how dandelion seeds are carried by the wind to new places.
香港和聲是一隊成立於2000年的室樂合唱團，旨在將合唱音樂帶到香港人的生活當中﹐為觀眾帶來愉悅和富啟發性的藝術體驗。我們設計團隊於2022年受到合唱團的委託，設計他們當年公開表演的主視覺，主視覺從合唱團中的選曲中得到靈感，當中包括了巴赫的《耶穌，我的喜樂》及柯利吉亞諾《蕨山》。我們亦同時負責了社交媒體和印刷品的設計。
Hong Kong Voices is a chamber choir established in 2000. Aspired to bring choral music closer to the Hong Kong people, and offer an artistic experience that both delights and inspires. Our design team was commissioned by the choir to create the main visual for their concert in 2022. The design was inspired by the choir's repertoire, which included Bach《Jesu, meine Freude》& Corigliano《Fern Hill》. We also handled the design for social media and printed materials.
NEVER END是一本紀錄了新巴職工會歷史的書藉，同時亦是工會成立以來紀錄最齊全的一本。我們受委託設計其封面及內頁排版，封面我們使用了簡單的圖形去代表「路」以呼應書本名稱，而圖形的選色則是參照工會手冊的顏色，整過合作經驗非常難忘，也認識了除了巴士以外一些不為人知的事。
"NEVER END" is a book that documents the history of the New World First Bus Company Staff Union and is the most comprehensive record since the union's establishment. We were commissioned to design its cover and layout. For the cover, we used simple graphics to represent "Road," echoing the book's title, and the color scheme was inspired by the union's handbook. This collaboration was an unforgettable experience, and we learned about some lesser-known aspects beyond just buses.
香港環境保護署由1997年起展開了一連串的堆填區修復計劃，當中一共修復了十三個堆填區，而部份堆填區更被改造成其他用途，我們有幸獲邀透過攝影的方式，紀錄了十三個修復堆填區於春、夏、秋、冬不同季節的生態及環境變化，整個紀錄工作長達一年。在此感謝攝影師STEVEN KO及生態學者KIMCHI的全力協助。
The Hong Kong Environmental Protection Department has launched a series of landfill restoration projects since 1997, during which a total of thirteen landfills have been restored, with some transformed for other uses. We were fortunate to be invited to document the ecological and environmental changes of these thirteen restored landfills through photography across the different seasons of spring, summer, autumn, and winter. This documentation process lasted for a year. We would like to express our gratitude to photographer Steven Ko and ecologist Kimchi for their full support.
Momojein 是一間韓國Fusion餐廳，我們受委託替餐廳設計標誌及其他相關物品，標誌設計的靈感源自於這次案子的合作夥伴minusworkshop所選用的一扇摺門，當中包括了門上的傳統圖案。Momojein在韓國的意思有著任何人的意思，而我們標誌設計特意把摺門輕輕打開呈一個M字，喻意歡迎任何人到Momojein享用美食。
Momojein is a Korean fusion restaurant. We were commissioned to design the logo and other related items for the restaurant. The inspiration for the logo design came from a folding door chosen by our project partner, minusworkshop, which features traditional patterns. In Korean, Momojein means "anyone," and our logo design intentionally depicts the folding door slightly open to form an "M," symbolizing a warm welcome for everyone to enjoy delicious food at Momojein.
於2022年我們再次受到香港和聲的委託，替他們設計音樂會的主視覺，當時疫情尾聲將近，但遠方硝煙未退，而香港和聲就演唱了兩位歷經戰亂的歐洲作曲家—舒茲和佛漢威廉士—的聖樂作品，並期昐平安喜樂早日重臨。
我們以摺痕喻作傷痕，並透過傷痕中產生的光影(順境與逆境)呈現出象徵上帝的十字架圖案。喻意人生總有高低，有些道理和領悟，都必須經歷過高山及低谷才能有所發現，就像這十字架的存在一樣，同樣這也是兩位音樂家經歷戰亂後所找到的答案。
主視覺以簡單的方式緊扣著音樂會的主題﹐同時為聽眾留下反思空間，最終獲一致好評而直接取用。
In 2022, we were commissioned by Hong Kong Voices to create the main visual for their concert. At that time, COVID-19 was easing, but turmoil still lingered. The chorus performed sacred works by two European composers—Schütz and Vaughan Williams—who had faced war, expressing hope for peace and joy.
We used creases to symbolize scars and depicted light and shadows from these scars to form a cross, representing God. This illustrates that life has ups and downs, and some insights can only be gained through both struggles and triumphs, similar to the journeys of these composers. The visual aligned well with the concert's theme and allowed for audience reflection. It received great praise and was adopted directly.
我們為香港財務會計協會設計的AAT刊物，內容主要介紹AAT考試的需知和其他相關的最新消息，內頁以簡單的信息圖表為主，透過豐富的配色及圖表設計，將繁複的內容以簡單和輕鬆的方式呈現給讀耆。
We designed the AAT publication for the Hong Kong Institute of Financial Accountants, which mainly introduces essential information about the AAT exam and other related updates. We prefer the style to be simple, dynamic, professional and accompanied by colorful illustrations & inforgraphic to make a brand-new feeling.
豐盛社創本身為非牟利組織，主要為擁有不同想法的初創人士能提供支援，建立一個可持續和公平的未來，我們受邀為其組織設計標誌及名片等相關物品。
Fullness Social Venture Limited is a non-profit organization that primarily supports startup individuals with diverse ideas, aiming to establish a sustainable and equitable future. We were commissioned to design their logo, business cards, and other related items.
Stanley當選區議員後再次合作，我們為他設計了首個工作報告，報告內重視細節和每個工作內容，我們設計了簡潔且富資訊性的版面，讓市民能清楚地了解Stanley的每項工作進度。
遺憾地這也成了他任內的最後一份工作報告。
After Stanley was elected to a district council, we collaborated again to design his first work report. The report emphasizes details and every aspect of his work. We created a minimal and informative layout, allowing citizens to clearly understand Stanley's progress on each task.
Unfortunately, this also became his last work report during his term.
排排坐原定為一家家庭式作業的網上食材商店，主要銷售水果及急凍食品，依照著客人的想法，我們負責了品牌的命名、概念重整、標誌及包裝設計，排排坐三字取自於香港童謠《排排坐、吃粉果》，喻意大家坐在一起進餐﹐同時希望藉童謠的固有印象，營造出品牌快樂和輕鬆的氛圍，而刻意只選取排排坐三字作為名字，是希望讓吃什麼這句留白，同時亦想表達只要能齊齊整整坐在一起的話，其實吃什麼都可以。
標誌設計以傳統開張花牌作為靈感，以增加標誌整體的喜慶感，同時我們亦為品牌設計了角色「PIE」，並以複數的形式放到標誌當中，象徵著排排坐，亦由於品牌主力引入日本食材的關係，標誌上也刻意配上簡單的日語作為輔助。
整個構思由命名到標誌設計都非常有趣，可惜其計劃最終因種種原因及疫情關係而遭到擱置。
PIE-PIE-CHOR was originally a family-run online grocery store selling fruits and frozen foods. We handled the brand naming, concept restructuring, logo, and packaging design. The name comes from the Hong Kong nursery rhyme "排排坐、吃粉果" symbolizing coming together for a meal. By focusing on these three characters, we aimed to leave the question of what to eat open, suggesting that it doesn't matter as long as everyone is together.
The logo was inspired by grand opening flower stand designs to add a festive feel. We also created a character named "PIE" to symbolize togetherness and included simple Japanese text as support. The concept was engaging and fun, but unfortunately, the project was ultimately put on hold due to various reasons, including the covid-19.
Felimomo 是一個提倡貓化家居的品牌，主要銷售貓傢俬和提供家居佈置的顧問服務。我們受委託為其品牌設計識別標誌。在這份案子中，由於貓化家居著重透過不同貓傢俬組合去融入家居當中，我們著力思考如何運用「組合」這個詞語的特性，並配合貓星人語言這個概念去創作出一套只屬於Felimomo的符號。
符號的形狀靈感，源自貓咪日常的行走習慣。我們構思了貓咪面對不同英文字母時會產生的行走路線，創作出二十六個符號去代替英文字母，同時亦嘗試把每個符號設計得像一件件貓傢俬，而Felimomo的最終標誌，亦是依照這些全新創作的符號組合而成。客戶可在不同場合利用這套符號去自行創作出不同的圖案組合，這設計除了具有極高的靈活性和持續性外，更有助將貓傢俬的靈活組合性從往後的品牌宣傳中展現出來。
Felimomo is a brand that promotes the “Catify” services, selling cat furniture and offering home decoration consulting. We were commissioned to design their brand logo.
Our focus is on the concept of "combination," inspired by how cats interact with their environment. We created 26 unique symbols (A-Z) based on the walking patterns of cats when they encounter different letters of the alphabet. Each symbol also resembles a piece of cat furniture.
The final logo is made up of these symbols, allowing clients to create various patterns for different occasions. This design provides flexibility and showcases the adaptable nature of cat furniture in brand promotions.
寫字(sehji)是一家專業的資助顧問公司，致力為各行業的初創、企業和非牟利組織編撰業務提案、申請計劃書及進程報告。我們受委託設計其標誌和名片。標誌透過格式化的框線、電腦字及手寫字串連而成，簡單而直接地表達出寫字的工作模式和相關範疇。
Sehji is a funding consultancy that helps startups, businesses, and non-profits create business proposals and application plans. We were commissioned to design their logo and business cards, which combine formatted outlines, computer fonts, and handwritten text to reflect their work style.
柴娃娃是一家服裝網上商店，其名字是香港俗語，有著一群朋友的意思。我們為品牌設計了其標誌及一系列的輔助用品，標誌的靈感源於小時候的群體玩意，並且具有延續性，於不同的場合和節日能演變成不同的模樣。而標誌的字體我們把"A"字特意設計成露營帳篷的圖案，這是基於露營是其團隊最愛的活動之一。
名片的印刷我們特意選用了riso的印刷方法，這是一種舊式的印刷術，跟柴娃娃希望塑造的氛圍很匹配，而近十年，使用riso的文創品牌也有著顯著回升的趨勢。
Chai-Wa-Wa (CWW) is an online clothing store whose name is a Hong Kong colloquialism meaning "a group of friends." We have designed its logo and a series of supplementary items inspired by childhood group activities, allowing for versatility that can adapt to different occasions and festivals. The font of the logo features the letter "A" specially designed to resemble a camping tent, reflecting the team’s love for camping, which is one of their favorite activities.
For the business cards, we specifically chose the riso printing method, an old-fashioned printing technique that aligns well with the atmosphere Chai-Wa-Wa aims to create. In recent years, there has also been a significant resurgence in the use of riso among creative brands.
Stanley 何偉航曾經是西貢區白沙灣的代表區議員，我們於當時的選舉期間曾被委託設計其競選刊物，刊物著重內容的可視性，設計方面一切從簡﹐沒多餘修飾。Stanley 是一位非常勤力，追求實事的區議員，我們很榮幸能參與在其中。
Stanley Ho is a Pak Sha Wan candidate in Sai Kung District. During the election period, we were commissioned to design his campaign leaflet, which emphasized content visibility and featured a simple design with no unnecessary embellishments. Stanley is a very hardworking district councilor who pursues practical solutions, and we are honored to have been a part of this.
Sorrylaw 是一個由律師組織而成的線上支援團隊，主要以一般人都能負擔得起的價格為有需要的客人提供法律諮詢。我們受委託替其品牌設計標誌及名片，Sorrylaw本身的名字帶有玩味成份，所以在標誌設計，我們嘗試將專業和玩味兩者放在同一個視覺畫面上，而名片就以撲克牌的造型讓客人留下個性鮮明的第一印象。
Sorrylaw is an online legal platform organized by lawyers, primarily providing legal consultations at affordable prices for those in need. We have been commissioned to design the logo and business cards for the brand. The name "Sorrylaw" carries a playful element, so in the logo design, we aim to combine professionalism and playfulness in the same visual representation. For the business card design, we are using the shape of playing cards to leave a striking first impression on clients.
Enigma是本地一家時裝品牌，他們嘗試於大眾化和時尚之間取得平衡，旨在創造一種全新的時裝定位。我們於2011年就曾經為其牌的FW系列設計過一款服裝目錄，當季的主題為脫變。我們與當時的Enigma團隊合作，並透過烏鴉、羽毛、時鐘和時間編碼等元素串聯成一個關於成長脫變的故事。
Enigma is a fashion brand and they attempt to strike a balance between ordinary and voguish, aiming to develop a new taste of fashion. We designed a catalogue for their 2011 FW Collection and create the theme "Skim of Skin" to showcase their new collections. We collaborated with the Enigma design team and we used crow, feather, clock and time code number to link up the fashion shots to become a story.
CUHK作為香港及亞洲的頂尖大學，旨在培養各種專業人才。我們受委託設計工程學院2016－2017年的宣傳小冊子。全書我們特意採用了雙色印刷，讓冊子的氛圍有別於過往幾年，讓人留下深刻印象。
CUHK, as a leading university in Hong Kong and Asia, aims to cultivate various professional talents. We have been commissioned to design the promotional brochure for the Faculty of Engineering 2016-2017. Throughout the brochure, we intentionally adopted a two-color printing style to create a different atmosphere from previous years, leaving a lasting impression.
horohoro是兩位喜愛種植多肉植物的女孩所創立的線上品牌，我們跟據品牌的原有意思 (澆水時的聲音) 設計了名為horohoro的角色，同時也創作了其他不同個性的角色，透過角色的互動和日常故事去傳遞多肉植物的相關資訊予她們的追蹤者。
Horohoro is an online brand founded by two girls who love to grow succulent plants. Based on the original meaning of the brand (the sound of watering), we designed a character named Horohoro and also created other characters with different personalities. Through the interactions and daily stories of these characters, we convey information about succulent plants to their followers.
